Riccardo Tisci fused Hubert de Givenchy's clean-lined '60s silhouettes with an eclectic, bohemian gypsy vibe when he created his Fall 2012 Couture collection for Givenchy. The 10-look offering is as much a "collision of contradiction," as the house called it, as it is a study in how to take luxurious materials out of their own comfort zones. Nappa leather, for example, was cut into a fringe that got bonded back together to form the bodice and sleeves of one dress. The same fringe was also used to create a floor-length cape. When they were done cutting leather into strips, workers in Tisci's atelier turned their attention to creating a sort of mink lace — pieces of the fur were shaved away to allow for beadwork to shine through, then formed into coats with short kimono sleeves. Another cape spun from a red-and-black beaded fringe only displays its intricate pattern when it stands still. And that's where the contradiction in this collection is at play: the dresses that rely on movement and color to make statements blend perfectly well with beige wool column dresses that look forceful and powerful when they stand completely still.
Givenchy Couture Fall 2012
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