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The Road: A Bleak Journey That Will Haunt You

BuzzSugar — Wed, 25 Nov 2009 07:00:00 -0800

It's not that I was expecting a film adaptation of Cormac McCarthy's The Road to be happy sunshine - I just wasn't expecting it to seem so possible.

The apocalyptic tale takes place in a wasteland in the future after most humans are gone. It's desolate, the sky is a brownish-gray, and the land seems to be covered with ash. Unlike showy 2012, this is an end-of-the-world tale stripped down, which makes it all the more realistic and chilling.

To see what I mean, just read more.

We meet Man (Viggo Mortensen) and Boy (Kodi Smit-McPhee), a father and son making their way down south because they can't survive another Winter in this ominous setting. (Charlize Theron plays their wife and mother through a series of flashbacks). With a meager amount of food left on the planet, the select few people remaining (and there aren't many) will basically kill for supplies - or turn to cannibalism for sustenance. If this sounds like a horror film, it's because it pretty much is one. In fact, it's the worst, most plausible kind: one that explores the evils of humanity.

I'm sure many viewers won't be able to (or won't want to) stomach the subject matter, but the film is worth seeing thanks to the relationship between the father and son. In terms of plot, there isn't a ton that happens, and most of the action involves bumping into new strangers, like an elderly man (Robert Duvall) and a threatening gang. Some may find the lack of events monotonous, but this is why father and son are so important. Man is an average Joe who questions how far he'll go to keep Boy safe and what that means for his conscience; Boy is an innocent who still looks for good in people. The film obviously raises questions about the nature of who we are when tested - but the story is ultimately about their relationship.

As Man, Viggo Mortensen gives a mesmerizing performance that should bring his name up around awards season, and Smit-McPhee as his son is a great child actor, especially given the dark subject matter.

If you're a McCarthy fan or even just a fan of great acting, you'll want to check this one out. But, I'd suggest saving it for next week - after you find your Thanksgiving warm fuzzies somewhere else.

If you'd like to review a movie you've seen recently, check out the Movie Reviews Group in community. I may even feature your critique on the site!

Talking New Moon With Kellan Lutz and Ashley Greene

BuzzSugar — Mon, 16 Nov 2009 09:15:50 -0800

Robert Pattinson, Kristen Stewart, and Taylor Lautner may be dominating the promotional circuit right now, but they're not the only cast members with something to say about New Moon. I had the opportunity to chat with costars Kellan Lutz and Ashley Greene, aka Emmett and Alice Cullen, during their recent stopover in SF. They chatted about their characters, the vampire craze, and what it's like to be a "Twilight celebrity." Here are highlights:

On why so many people are crazy for the Twilight Saga:
Ashley: I think this film in particular is highly relatable. There are a lot of situations that people can relate to. The love story - everyone can relate to being in love or being in lust. You add the vampire, and it adds that next level fantasy. Vampires are mysterious and sensual and dangerous and unattainable. And everyone wants what they can't have. I think on another level that this came together at the perfect time. All the elements just fit, the casting was spot on, and we're in a difficult time right now with our economy. That's why you never have a drop in ticket sales because everyone wants an escape, and this movie is very much an escape from reality.
Kellan: It's a good escape but also it deals with so many situations, on so many positive notes. Just looking at it from the vampire coven to the wolf pack. It just deals with everyday issues just on bigger levels, in a way. And you have Bella as the keystone in many situations. You can just all relate from different countries to issues within the United States. It's easily relatable.

To read a lot more about working with three different directors and why they feel so lucky, just read more.

On how their portrayals of the Cullens are similar or different from the books:
Kellan: We got the jobs because we brought something new to it. You can interpret the characters each their own, but I think it's what we did alongside. Just like Kristen said - she's playing Bella but she's putting her Kristen spin on it, just like all of us are. And I think that's what's making it unique. We're still following the cheat sheets that Stephenie created by making the books, and there's Wikipedia. We have a lot of information to go off of. But I hope it's what I did in my audition that set it apart from the other guys trying out.

Ashley: I think it's mannerisms too. People do fall in love with this book, but I think part of it is that they always want more. You can't write out every human mannerism. You can imagine it, but seeing the emotion in someone's eyes and seeing them be affected it - it was kind of easy to give something to it, because we were just being people. We kinda just got lucky.
On how much more of the Cullens we can expect in the remaining movies:
Kellan: Realistically, we stick pretty close to the books. Obviously us Cullens would love to be in the books a lot more, which would mean we'd be in the movies a lot more. Talking New Moon, the scenes that the Cullens - except for Ashley, playing Alice who gets to go to Italy and be a main lead in the movie - us Cullens, we have to stick really close to the books, and the scenes that we're in are really crucial to the story, as you know - the birthday scene, the voting scene. I don't know, it was kind of a tease. Chris Weitz is such an amazing director, and for us, for myself - I only worked about a week on that movie. And it didn't even seem like I really got a taste for what it was.

Ashley: In the third film, you'll see a lot more of the Cullens because it's all of us collaborating and then getting ready to fight this war that's coming up. In the second one, my character got a much larger role because Alice is the Cullen, other than Edward, that really embraces Bella and they end up becoming best friends. In the beginning, you see her throw this huge party for Bella, and then Alice is the one who does, in fact, come back for Bella when everyone else decides to skip town. Alice is responsible for dragging Bella over to Italy, and she and I the whole time are fighting to save my brother's life. And then of course we get held up by the Volturi and stuff like that. My character got to grow a lot, which is really cool. You get to actually see the relationship develop between Bella and Alice, where in the first one you didn't. The first one was very much about the romance and showing the audience why these two people are willing to die for each other.
On working with a different director on each film:
Ashley: Each director is going to be very different. They're artists as well, and I don't think any of them are quite the same. The books, when you read them, all have very, very, different tones. So I think it's highly appropriate that we switch directors each go. The first one is very much a romance and is a very scenic, beautiful film. And Catherine's really, really great at capturing that. She's very high energy and works well in chaos and stuff like that. And it was fantastic because we didn't quite know what we were getting ourselves into, and so it was nice to have her to guide us when we were freaking out a little bit. She was just so high energy, and it was really contagious. We were sad to lose her and move on to the second film, but then we got Chris Weitz and he's the complete opposite! But great as well. He's so giving and caring and collaborative and created this atmosphere that was kind of a safe haven for us. And it was really nice because we didn't know, switching directors, if they were gonna embrace us or if they had a completely different vision than what we created in the first one. It was nice that he was right there on the same page with us. And the second one is a warmer film, even from the color scheme. The first one is very blue tones, and the second one is much richer and warmer and I think he did a great job at capturing that. And we just finished shooting with David Slade, and I think he's highly appropriate as well. He just finished shooting 30 Days of Night and Hard Candy, and they're both very dark, edgy films. And Eclipse is very much that. It's all centered around the anticipation and us getting ready to fight this huge war. We just finished filming, we haven't gotten to see much of it, but I think it's gonna be fantastic. He is, technically, the most advanced director. The angles that he shot and how he knows that tweaking something can affect a whole scene and the lenses. He was really nice to work with.
On coping with the fan effect and being a "Twilight celebrity"
Kellan: That's what blows my mind, 'cause I feel like it's really unearned in a way. The fans are making our careers. Without them, we wouldn't be working and doing the saga. There's so many times that trilogy books become a movie and the first one bombs, and then that's it. And you're always hopeful that you get to do them all. Especially since we're all in love with our characters. I love Emmett Cullen to death, he's my favorite character I've ever played. It's just so cool to have made it this far, and I think we all hope that we get to finish this series and do Breaking Dawn. This is such a blessing, it's every actor's dream to be part of something like this. It's not terribly hard either. We don't shoot halfway around the world; we don't shoot for a year of our lives. I know a lot of us have homes, we have pets, we have family. And it's really nice to shoot on the West Coast, either Portland or Vancouver, and have the chance to fly down if we need to. But it's definitely amazing to be part of something like this. And I don't think any of us knew how crazy it would be and how exhilarating it would turn out to be. Going to the premiere, really just, wow. I don't even remember it because I was really just starstruck by how many fans and signs and cameras. It felt like I was just walking through a strobe light room. It's amazing.

Ashley: I still think we can't really wrap our heads around what's going on and what's happening. We're still in the midst of filming and kept very busy from one film until the next. It's only these brief moments where you sit back and are actually able to take a breath where you go "Whoa. Wow. This is crazy." I mean, the amount of tickets they've already sold for New Moon - I'm pretty sure I can't even get a ticket if I tried to see my film in Jacksonville and it's mind boggling. We're just very lucky. I went into this film thinking "Oh my gosh, I got a job" and the it turned into the biggest break of my life. I think we all feel very blessed to be a part of this.
On how it feels to be part of Twilight fan fiction:
Kellan: It's an escape, in a way. We do live in a trivial time period right now. There's so much depression that it's kinda cool to be a part of something where people use it to be an escape. In a way that's kinda what Stephenie did -she had a dream and just elaborated on it. It became a huge success and it's really encouraging that people are doing the same and just making up this journey.

Ashley: That's why people love it so much I think. You can take it and make what you want of it. Before the demographic was teenage girls, but now it's women of every age and guys are starting to get into it, too. It's because there is that element of fantasy. If you're 8 years old you look at it one way; if you're 80 years old you look at it another. I think it's fantastic that we can draw such a huge crowd. The other thing is - it blows my mind but people are making connections over this film and over this book. there are mothers and daughters and grandmas who can all sit and talk about the same story and all fantasize about it and I think that's a really cool thing. I think it's rare.

To see all of our Twilight and New Moon coverage, check out TwilightSugar!

5 Money Issues Every Couple Should Prepare For

SavvySugar — Fri, 13 Nov 2009 08:30:33 -0800

We talk about love and money quite a bit here on Savvy, and many of you have had a go-round or two with your significant other about the topic. In a new relationship, resolving money issues means adjusting to each other’s spending and saving styles, and coming up with a system you can both live with. But as relationships grow and change, financial situations do too, and many couples find themselves having to adjust their approach to money after years of marriage.

New York Times columnist Ron Lieber recently offered up a list of five issues that can cause financial bickering even in established relationships. To see them, along with my advice for how to address them, click away.

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Grey's Anatomy Rundown, "Invest in Love"

BuzzSugar — Fri, 06 Nov 2009 11:30:14 -0800

This week I felt like Grey's Anatomy is finally getting back on track. The episode has a very sad central focus, as Arizona faces the inevitable loss of a young patient, but was nicely rounded out with the usual relationship issues, comic relief, and a few sweet moments.

For more Grey's fun, check out the Grey's Anatomy McAddicts group in the Buzz Community. To get into the money matters, the L-bombs, and the shirtless Karev from this week, just read more.

This week's episode belongs to Arizona, as she takes a few of the surgeons into the "magical" world of pediatrics. She introduces Yang, Hunt, and Avery to Wallace - a 10-year-old patient with a nutritional disorder that's kept him in the hospital for 7 months. Thanks to her particularly sweet bedside manner and close relationship with Wallace, his parents offer to donate $25 million to the hospital. But when his condition worsens, Wallace's parents and the chief put pressure on Arizona to perform a surgery she doesn't feel comfortable with - and she ends up losing Wallace on his 11th birthday. There is one saving grace though, and that's the "I love you" exchange that happens between Arizona and Callie after Arizona runs out on her own surprise party.
The tension continues for Cristina and Owen, and Cristina's obsession with performing a surgery finally takes hold of her when she goes against Owen's orders and performs in the OR. It leads to a big fight for the two (which according to Meredith means Owen loves Cristina), but causes Avery to take notice of Cristina. They share a kiss at Arizona's surprise party, but Cristina pushes him off, saying that she's "involved." Somehow, I don't think this is the end of Avery's little crush.
As if things couldn't get any worse for Alex with Izzie gone, he gets slammed with $200,000 worth of her medical bills. He takes his anger out on Reid, who finally admits to Avery that she has a crush on Alex. Alex sweetly cares for a baby he thinks is about to die, and manages to coddle her back to health (shirtless, no less). I loved the jokes about the softer side of Karev (specifically Derek asking if Karev is lactating yet), and was even more impressed with Reid's persistence, even as Alex continues to snap at her and complain about Izzie.

What'd you think of this week's episode? Are you excited for next week's Izzie return and Kim Raver introduction? How long before Karev and Reid finally get it on?

Russell Kisses Katy and Talks About Romance and Kids

PopSugarUK — Mon, 02 Nov 2009 06:19:05 -0800

Russell Brand was out in LA with Katy Perry over the weekend, kissing her in her car as she dropped him off. The cute couple have been spending a lot of time together lately, and with Katy Europe-bound for the MTV EMAs this week, and Russell in London for a gig tomorrow night it looks like they'll be stealing some moments together over here too! In an interview with the Sunday Times published this weekend, Russell spoke a little about how Katy's changing his life, here's some extracts from his fascinating interview:

On how his life is changing: "I am living in a different way at the moment. Regardless of what happens in my current situation, I am unlikely to be satisfied with the calamitous promiscuity of the preceding five or six years."
On wanting to slow down and feeling broody: "I am [feeling broody], actually. It's seven years since I took drugs. I've made a film. I don't think I have to fight so much. I've grown weary of the carousel... I am more into having jaunts. It's been a while since I've done terrible things like shoplifted or threw a phone..."
On his relationships with women: "I am an only child of a single mother - it probably meant that I'm demanding and have high expectations of women. I look for salvation and redemption, to be utterly embraced.... I don't think you can find it in another human being. It's a ridiculous, romantic and tragic idea that there's someone who's going to save you, that we need our own personal Jesus. Salvation comes from within."

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House Rundown, "Instant Karma"

BuzzSugar — Tue, 13 Oct 2009 08:30:00 -0700

This week's House continued to stick to the tried-and-true show recipe, and our favorite doctor was there pulling the strings - even if he isn't technically in charge. The episode answered one or two of my previous questions, and while the writers quickly tied up the dilemma involving last week's death of the dictator (breathe a collected sigh of relief), I highly doubt that Chase and Foreman's shared secret is just going to be swept under the rug for good.

I'm curious to see how everything plays out, but for now, take a look at my questions (some spoilers!) from this week's episode and share your thoughts when you read more.

Foreman brings up a good point, when will House get back his license? I'm interested to see how long they drag it out for, although I do kind of like to see him play the annoying backseat driver to poor Foreman.
Why isn't Chase a little more nervous about the M&M presentation at the beginning? He seems a bit too cocky about getting away scot-free.
Thirteen! Man, I love seeing her and House spar. Wilson is right - she's the only one who doesn't get sucked into the "House vortex." I know she's boarding a plane at the end, but I think she'll be back, don't you? Once Jennifer Morrison leaves, it would be strange to have just Chase and Foreman debate the odd medical scenarios.
Speaking of Cameron's departure, it definitely seems like the writers are going to use Chase's secret to cause a rift in their relationship. First, they keep showing her alone in bed night after night, but then she asks him what was going on, and he continues to dig himself even deeper into the lie. When she does learn the truth - I'm thinking soon - there's going to be a huge blow-up.
Why is it that House's pervy comments always make me laugh?! I love this one that he said to Thirteen: "I wasn't talking to you; I was spying on the MILF in the running shorts." Ha!
I think this episode really shows a softer side to House. It started when he tells Foreman, "You're going to be a good boss, Boss." Awww, is that an actual tender moment from the crotchety doctor?! And then he goes on to save Chase and Foreman from their M&M review, and he tries to bring back Thirteen? House may say his heart is "three sizes to small," but he is spreading good will all over the hospital - well, good will for House at least.
Anyone else find the "Midas" dad kind of annoying? I don't dig his cocky attitude, and I was actually more interested in how things were playing out between the doctors than the actual medical case in this episode.
Here's a real philosophical question for you: Do you think that in some karmic way, that the father getting rid of his fortune really does help his son? House seems to be deep in thought over it at the end of the episode - or maybe he's questioning taking over the team again?
I love the moment where Chase tells House that he will always be in the guy in charge, but perhaps House is doubting his leadership. He does tell Cuddy that the combination of puzzles and power proved to be a bad mix for him. Still, I'm ready to see him running the place again, even if he pretty much already does.

What'd you think of the episode? Do you think House may be turning into a softie? Will he take over the reins from Foreman? And how will Thirteen finally make her return (if she does)? I want to hear all your hypotheses!

If this didn't satisfy your House hunger, head over to the House Group in the BuzzSugar Community to keep the conversation going!

Photo courtesy of Fox

House Season 6 Premiere Rundown: "Broken"

BuzzSugar — Tue, 22 Sep 2009 12:46:36 -0700

After an entire Summer without House, you can believe I was ready for last night’s two-hour premiere. With House checked in to an asylum, we knew season six was taking us in to new territory.

From the start they let us know that this was not your typical episode. If the removal of Massive Attack's opening music, replaced with Radiohead's "No Surprises" wasn't enough to tip you off, then maybe the washed-out, dream-like detox scene was. Did you watch, and are you ready to discuss? Find out some of the things I'm dying to talk about (spoilers ahead!), when you read more.

Where was the medical mystery? I have to admit, while I loved this episode, I kept waiting for the medical mystery. Every time Annie (the catatonic cello player) was on screen, I would think, "Oh he's going to solve this, surely she must have some rare disease." Then after superhero Steve becomes catatonic, I figured the same thing. And when neither of those panned out, I thought it would be Dr. Nolan's father who would be saved. However once the clock started ticking down, it dawned on me. This is the episode where the person who gets saved is House.
What did you think of the dynamic between House and Nolan? I think Andre Braugher is the perfect foil to House. Their dynamic seems so real, and I love that he essentially blackmails House into getting better and thwarts his attempts to trick Wilson.
Speaking of Wilson, did you notice that he is the only other cast member to appear? Did you miss the rest of the cast, or were you fine with the new faces? Do you think any of these faces will show up again? I think it would be a treat if Alvie turned up at Princeton Plainsboro with a rap for our favorite diagnostic team.
While the tone of the episode is admittedly dark, two of my favorite moments had to be when House and superhero Steve are flying at the carnival, and when House joins Alvie on stage for the talent show. I don't think we've ever seen House smiling unless it's to cause the frustration of someone else. How about you, what was your favorite scene?
How important do you think House's relationship with Lydia (Franka Potente) is? Do you think House would have been "cured" had she not been there?
Now for another somber moment. Were you also tricked into thinking superhero Steve actually died? I was glad to hear that he's still alive. I don't think House (or myself) could've handled yet another death on the show.
There were a lot of great quotes during the evening. However, my favorite line of the night is when Alvie tells House that they broke him, and House replies with, "They didn’t break me - I am broken." What was your favorite line?
Do you think House has really been cured? Or do you think he'll be back to his old tricks and Vicodin pill-popping ways by next week's episode?

Really, there was so much to this week's episode. In fact, it felt like House the Motion Picture, and I think it did a great job in covering the gap between last season and this one. I have no idea where the writers are taking us, but if the rest of the season is as good as last night's premiere, we're in for a treat!

To meet more House fans and keep the discussion going, join the House Group on the BuzzSugar Community!

Photo courtesy of Fox

Michelle Gives Vogue Her First Post-Heath Interview

PopSugar — Tue, 15 Sep 2009 13:14:59 -0700

Michelle Williams graces the cover of Vogue's October issue, opening up about Heath Ledger for her first magazine interview since his death. The actress looks gorgeous as she promotes her pushed-back Shutter Island and provides us an in-depth look at how she and Matilda are dealing with their life after Heath's passing. She reveals she is no longer dating Spike Jonze, but sounds like she's staying strong as a single parent. Here's more:

On dealing with Heath's death: "I have been severely accident-prone over the past 12 months. I fell downstairs, broke a toe, put my fingers in a blender - seriously distracted. [I would often] cry, nap, sit and stare, try to figure out what to make [Matilda] for dinner, talk to friends on the phone. I was holding it together by a string and a paper clip in the Fall and Winter. I didn’t know if I could keep it all together."
On grieving with Matilda: "I just don’t see the upside to this. You console yourself by saying it’s all a deepening process. But it’s weird. After the first year, the pain is less intense; it’s less immediate. But the magical thinking goes away, too. And that’s a whole new reckoning. But every time I really miss him and wonder where he’s gone, I just look at her."
On splitting with Spike Jonze: "The timing was impossible. I thought falling in love again was the only thing that was going to save me from the pain. This erroneous idea: it just makes things more complicated."

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To read what Michelle had to say about her break up with Heath and her future just read more.

On before Heath died: "Brokeback Mountain was an unrepeatable moment in time, a very charmed time in my life. I was in love; I was in a movie I was proud to be a part of, and with a beautiful brand-new baby. Everything was good in that moment. [After we split I started filming a movie in Sweden because] I just didn’t want to be at home. Geography is a great solution for heartbreak."
On waiting so long before she started to do interviews: "I didn’t know what my boundaries were for a long time, which made interviews feel very unsafe. I can talk about grief, because that’s mine; about single parenting; about trying to balance work and kids. But what I don’t have to talk about is what happened between Heath and me in our relationship."
On dating while having a daughter: "I obviously don’t know how to [date with a child, but] I’m falling more and more in love with her and I think she deserves the bulk of my attention. We’re lucky. I can work. She can go to a good school. There’s a lot there for her. And she can know her dad in so many ways, and so many of his friends who will be able to tell her so many stories. His friends, his family - they were a big part of his life, and they will be a big part of her life."
On her future: "I feel hopeful and grateful. For a while I thought we had lost everything. It makes you want to love better and live better and treat people better.There is a great Gloria Steinem quote - and I’m paraphrasing - ‘Become the man you want to marry.’ I’ve taken that on. What qualities do I find attractive, and can I find them in myself? What am I missing? Can I be that for myself?"

Ask Savvy: Should I Look For a New Job While I'm Still Employed?

SavvySugar — Tue, 11 Aug 2009 06:30:06 -0700

Dear Savvy,

I've been relatively happy with my job as an executive assistant for the last three years, but the company I work for has been going through financial problems and I've heard rumors of layoffs in the near future. My boss keeps alluding to his stress over the company's well-being, though he hasn't mentioned anything about my specific position. I don't want to jump the gun and assume that staff cuts are coming soon, but it's hard to go on about my business when I'm concerned about my future with the company.

Do you think I should start looking for a new job, even though I'm still employed? I don't want my boss to find out and then fire me because of my actions, especially if there were no plans for my exit in the first place. I can't afford to be without a paycheck and don't want to make the wrong move.

Savvy says: The pink-slip rumor mill has been the cause of one too many blood pressure spikes and panicked job searches. To see my tips for how to proceed in your situation, read more.

Whether or not there's validity to your concerns about being laid off, it's always best to prepare for the worst. Set yourself up so that you're ready for a job search if your position does become obsolete. Start thinking about what kinds of positions you'd want to apply for and which companies could be a good fit. Figuring out your ultimate direction now will save time later.

You should always be ready with a current resume, especially when you think a job search could be around the bend. If you've been working in the same job for the last three years, it may be that your resume is three years out of date. Update it and save it somewhere other than your computer at work. Also, it's never too early to begin networking. Dig up your contacts and start getting in touch; it can be as simple as saying it's been a while and you're just checking in to see how everything is going.

Depending on your relationship with your boss, it could be beneficial to request a meeting to discuss your concerns. Whether your boss's answers are reassuring or further your concerns, you should still take the steps to be ready should the axe come your way. And if your boss gives you no reason to doubt your uneasiness, then yes, looking for a new job now could be the best plan of action.

Americans' Love Lives Most Stressed by Recession

SavvySugar — Thu, 30 Jul 2009 08:30:48 -0700

We didn't need an international poll conducted in Canada, the United States, Britain, France, Germany, Italy, Spain, and Australia to determine the recession is affecting most people's lives. But the differences in the ways we're responding to economic worries are definitely interesting. Here are some interesting conclusions from the poll's responses.

Added stress or ruined relationship/marriage: 30 percent of Americans, 23 percent of Canadians, 24 percent of the French, and 12 percent of Germans.
Extended working life: Unlike Europeans' and Canadians' shorter projections, Americans believe it will take another 10 years of working before retirement because of the recession.

Find out how these nationalities differ on ways to save money when you read more.

Importance of building nest egg as financial goal: 53 percent of Austrians, 43 percent of the French, 35 percent of Americans.
Avoiding credit cards as means to save money: 50 percent of Americans, compared to 11 percent of Germans and 17 percent of Italians.
Cooking at home and bringing lunch to work to save money: Popular with Americans and Canadians, but only 20 percent of Italians consider it a top-of-the-list money saver.
Love for cars: 30 percent of Americans and Britons said cars would be among the last three things they'd give up to save money, compared to 14 percent of Italians and 18 percent of Spaniards.