What I'm Listening to This Week: King Princess, G-Eazy, The Big Moon, and Victoria Monét

I was completely obsessed with G-Eazy's 8-track album from the first few notes of the title track "Scary Nights," which showcases the Bay Area rapper's uniquely attractive brand of spooky hip-hip rock star bad boy (just go with me). Each song truly bangs in its own way, and I can't listen to them without making a stank face.

Standout track: "I Wanna Rock" feat. Gunna

Listen now on Spotify.

I'm heavily f*cking with the latest single from London quartet The Big Moon, a piano-driven anthem about navigating the pressures of adulthood. Whether you're sad, tired, or completely burned out, you'll find a little solace in this song.

The Canadian pop-R&B-soul singer's voice can move mountains, and her recent single is the perfect example. This song is like church to me.

I saw Aussie duo Mansionair perform live last year while surrounded by redwoods on a camping trip (story for another day) and fell in love with their collaboration with Odesza, "A Moment Apart." This song features indie-pop group SHAED, and it's equals parts sultry, sad, and sinister. I'd love to hear it on the next season of Euphoria.

Honestly, this song is just fun. It makes you want to get up and dance around the room, and Victoria Monét's voice sounds like butter.

I've always loved Snow Patrol's "You Could Be Happy," but this haunting cover by London trio Wyldest is better than the original for me.

"Baby, I'm home, I'm home, I'm home." This song deserves to be blasted while cruising in a convertible across the Golden Gate Bridge, but for now it'll stay on my Fall Feels playlist.

Finally, King Princess released her debut LP — from my beloved Mark Ronson's Zelig Records — and damn, is it great. It's like an emotional rollercoaster that still ends at a question mark. I'll have Cheap Queen on repeat for the rest of the year.

Standout track: "Prophet"

Listen now on Spotify.