Meet the Emerging Black Designers to Debut on This Year's Harlem's Fashion Row Runway

Shawn Brackbill courtesy of Crown Royal
Shawn Brackbill courtesy of Crown Royal

Harlem's Fashion Row brought its 14th annual fashion show to New York Fashion Week and is ready to reveal collections from emerging Black designers. This season focuses on Charles Harbison of Harbison Studio (along with his new collaboration for Banana Republic), Shawn Pean of June79, imaginative and experiential streetwear brand Tier, and Johnathan Hayden, who designs luxury, adaptive clothing for underrepresented women; each designer received an Icon360 grant from HFR and Crown Royal Regal Apple. On the evening of Tuesday, Sept. 7, the organization held the HRF Style Awards, recognizing Zerina Akers as stylist of the year and Christopher John Rogers as designer of the year, and bestowing model Liya Kebede with the fashion icon award, just to name a few of the honors.

Ahead of the event, POPSUGAR talked to Harlem's Fashion Row founder Brandice Daniel and the emerging runway designers about their mission, which is really just to foster a mutually beneficial relationship where collection reveals and retailer collaborations are possible. Brandice explained that she looks for high-potential designers with clear brand positioning, e-commerce capabilities, and, first and foremost, character. In working with them, she gives them the platform to tell their stories and show their work on the annual runway, launching them into the spotlight and helping them establish their careers.

Brandice cites African American fashion designer Lois K. Alexander-Lane, founder of the Black Fashion Museum, as inspiration for her HFR project, which was launched the year Lois passed away, 2007. She feels as though she is continuing in the work Lois started, with the support of her mentor and first advisor, Audrey Smaltz, an HFR board member. "She was the first person to believe in me and what I was doing from an industry perspective," Brandice said of Audrey. "I remember her saying, 'A lot of people have tried what you're doing before, but I believe you're going to make this work.' Her vote of confidence from the beginning was invaluable."

Ahead, see what the talented Black designers who presented at this season's NYFW bring to the fashion industry and learn how Brandice's Harlem's Fashion Row has championed them.

Charles Harbison, Harbison Studio
Lee Morgan

Charles Harbison, Harbison Studio

"He has this way of colorblocking and using unpredictable color combinations together, which I'm very excited about."

Charles Harbison, who originally went to school for architecture and formerly worked for Michael Kors and Billy Reid, focuses on designing everything from women's daywear, evening wear, separates, shoes, bags, and jewelry to menswear, furniture, and textiles through the Harbison Studio label, founded in 2013. Winner of the Harlem's Fashion Row designer collaboration with Banana Republic, which was chosen through an application process, Charles brings us a new product line that reaches the bulk of America in a way he's been unable to before. Famous for dressing the likes of Ava Duvernay on the red carpet at the Vanity Fair Oscar Party and Beyoncé for the Yeezy season one show, he explores body neutrality through his pieces that are for all genders.

Brandice Daniel: "Charles's outfits will make you tilt your head back and be like, 'That's incredible.' He has this way of colorblocking and using unpredictable color combinations together, which I'm very excited about."

Charles Harbison: "I'm not just looking to work for men, or work for women, or work for nonbinary people. I'm also seeking for my apparel to work for short people, to work for curvier people, to work for really tall people. And so there's a space of dressing that is so democratic and inclusive and it's also an age-old sentiment. We see cultures having navigated this in beautiful ways for centuries. And it's just a matter of us tapping into it and establishing a personal affinity for it. Harbison is there to give you a product that reflects that."

This season: You'll find colorblocking, cutouts, formfitting silhouettes that flatter the body, bright colors, and prints.

Harbison x Banana Republic
Getty | Slaven Vlasic

Harbison x Banana Republic

Harbison Studio
Getty | Slaven Vlasic

Harbison Studio

Harbison Studio
Getty | Slaven Vlasic

Harbison Studio

Harbison Studio
Getty | Slaven Vlasic

Harbison Studio

Harbison Studio
Getty | Slaven Vlasic

Harbison Studio

Nigeria Ealey, Esaïe Jean Simon, and Victor James, Tier
Shutterstock

Nigeria Ealey, Esaïe Jean Simon, and Victor James, Tier

"Tier is one of the industry's best-kept secrets."

Founded in 2014 by Nigeria Ealey, Esaïe Jean Simon, and Victor James, Tier is currently showing its fourth project, Tier Island. Brandice reached out about establishing a connection and offered them the platform to show at NYFW, and the associated grant helped the trio with production. Above all else, the brand is artistic, intentional, and experiential. Its aim is to offer customers more than a garment, but an experience.

Brandice Daniel: "Tier is one of the industry's best-kept secrets. The brand brings elevated streetwear to the fashion world from the perspective of three Black men who have Caribbean and Brooklyn roots. If I had one word to describe them, it would be audacious. Some of the things they pull off, I'm like, 'How did they pull that off?' If any other mainstream brand was doing some of the things they're doing, it would be this big, huge deal."

Cofounder and Creative Director Nigeria Ealey: "My mind wanders. Tier comes from inspirations of what I liked as a child growing up and life experiences. People always remember the experience they had with a person, moment, brand, or item, so I try to approach design from an experiential way."

This season: "I was thinking about the year we had in lockdown, not being able to see friends, family, and loved ones. Just like everything in life, I thought, 'This too shall pass.' There was so much going on with COVID, criminal and social injustice, and we wanted to make people happy and feel lively again, showing them somewhere they can be at peace and love, where opportunities are endless. The concept stemmed from me watching old movies and cartoons, specifically [Scooby-Doo: The Movie], Jurassic Park, and Yu-Gi-Oh!. We took our logo, turned it into our own island, and broke that island down piece by piece from the resorts, amusement park, and excursions to where the research labs are in the mountainous areas, the population, and means of transportation. The concept was a lot of work, but it was exciting work because it was piecing together things that we love and have experienced or seen through traveling."

Johnathan Hayden
Oye Diran

Johnathan Hayden

Johnathan Hayden launched his namesake brand while finishing his graduate studies at Savannah College of Art and Design in 2015. He is an artist and musician turned designer who has undergone adaptive design specialty training and creates luxury ready-to-wear and evening wear for the modern intellect.

Johnathan's goal is to merge commerce and charity and show how that can be a feasible model for the fashion industry. He's been working with a nonprofit in Costa Rica to teach young women to embroider, sew, and eventually start their own companies and he has dreams of growing his membership at the Metropolitan Opera to make modern, interpretative costumes for new productions. Because of his ability to successfully incorporate adaptive details that go beyond friendlier closures, his clothes acknowledge that the power of fashion is about self-dressing.

"[The clothes] are seeking to cultivate an internal sense of empowerment for more people to participate in all of life's experiences."

Brandice Daniel: "[Johnathan] could design mugs, he could design lamps, he could design furniture, or he could design clothes, and he's decided to design clothes. So he's bringing all of that into his very unique design aesthetic with inspiration from his Japanese roots. He offered me a dress with a print and I said, 'No, I want a solid,' because the details on his dresses are just that beautiful. He's so intentional about everything."

Johnathan Hayden: "Can you imagine how frustrating it would be to miss that job interview, to not attend that party, to not go on that date, or not attend that fashion show simply because you were limited by what you could wear? Design is a two-sided conversation, and if you think of that proposition and acceptance of a design proposal as a contract, then was it agreeable in the first place if it never considered the needs of the person across the table, even the one seated in a wheelchair? Like all of our construction and functional details, we want things to be covert. Those intimate details of self-dressing are personal and don't need to be broadcasted to the world. We love to hear people think that the clothes are beautiful, but maybe just a tiny bit better than beauty because they are seeking to cultivate an internal sense of empowerment for more people to participate in all of life's experiences. Quality of life is a luxury."

This season: "Freedom is the focus of this body of work. Many of us turned to nature to heal. Original prints show bucolic scenes, nouveau graphic feathers à la Aubrey Beardsley, and '60s wallpapers reworked for today. Sensorial textiles developed with repetitious and meditative embroidery techniques forge variations of print motifs and plaids that join scrap materials to their surfaces. The result is a textural experience both visual and tactile. Brought in close to expose these intimate details, the postcard is signed: I wish you were here."

Johnathan Hayden
Getty | Slaven Vlasic

Johnathan Hayden

Johnathan Hayden
Getty | Slaven Vlasic

Johnathan Hayden

Johnathan Hayden
Getty | Slaven Vlasic

Johnathan Hayden

Shawn Pean, June79
TK Atakora

Shawn Pean, June79

"I think he has the potential to be our next big Brooks Brothers — but the new version of it."

Chief architect and creative director of June79 Shawn Pean brings his luxury background (he's worked for Balmain, Valentino, and Saks) to his quintessential "unsuit." Shawn wants his customers to be able to live in various different settings without having to change what they wear or feel overdressed or underdressed. His more casual unsuit therefore allows them to mix business with social, so they don't have to change three times a day but can still express themselves. His fabrics have a performative quality, so they stretch and flex. Sure enough, womenswear is on the horizon — Shawn has already designed an entire collection, so once he feels the time is right and his company has become established, you can expect much more from the brand.

Brandice Daniel: "June79 offers a new way of dressing for men who want to shop luxury. My husband hadn't bought a custom suit in the last five years, but he looks on June79's website and he's super excited. I think he has the potential to be our next big Brooks Brothers — but the new version of it."

Shawn Pean: "When I look at luxury, I think it's about mindset. There's always perceived value to whoever the beholder is. June79 is made with great care and quality in New York, and I'm very close to the product. Seeing everything from the fabrics that we use to the way the clothes are constructed and then offering it at a great value becomes a luxury."

This season: You'll find jacquard, jewel-toned bombers with mix-and-match tailored shorts, plus a foray into tropical prints by way of a gender-neutral suit with tailored Bermudas.