The Best Fashion Moments From Oscar-Nominated Movies

After emigrating from Ireland to Brooklyn, NY, in the 1950s with just one suitcase, Eilis must learn to rebuild her life — and her wardrobe. As she starts coming into her own and feeling more confident, her style shines. This look is a quintessential '50s look, with a full-skirted tea-length dress, statement cat-eye sunglasses, and a kiss-clasp handbag.

In this period drama, Einar Elbe and Gerda Wegener are married artists who struggle with Einar's transformation into a woman, Lili. The film takes place in Copenhagen and Paris in the 1920s, and the costumes take into account the vibe of both cities at the time, with Copenhagen being more conservative and Paris more free-spirited. The costumes also bring to light the liberating movement the fashion industry underwent, thanks to the likes of Coco Chanel.

As a ballerina, Ulla spends her time performing across Europe. When she's not on stage, she expresses her wandering spirit through bohemian flair — think head scarves, kimonos, beaded jewelry, and flower crowns.

With a fairy tale as iconic as Cinderella, dreamy dresses are to be expected. And nothing is dreamier than her complete transformation and debut at the ball, princess gown and all.

Perhaps even more noteworthy than Cinderella's transformation is the evil stepmother's slew of jaw-dropping outfits. From extravagant hats to intricately embroidered coats and, of course, a gorgeous ballgown, she wows throughout the film with her distinct green color palette — a perfect complement to her red hair.

What's a fairy godmother without a magical gown? This particular one has it all: layers of tulle and silk, intricate bead work, and a corseted bodice.

As a gossip columnist in the 1950s, Hedda Hopper has a flair for the dramatic, which she showcases with one lavish headpiece after the next.

Even though Carol is elegant and sophisticated, it's her beautiful mink coat (a rare status symbol in the 1950s) that ultimately catches the attention of a department store shopgirl (and eventual lover) in this period romantic drama.

While Rey wears the same ensemble for the majority of the film, her wispy, muted garb is a notable portrayal of the desert warrior trend that appeared on the runways of designers like Elie Tahari and Alberta Ferretti for Spring.

Furiosa and the Five Wives are another cinematic depiction of the desert trend: sand tones and billowy layers contrasted with tough utilitarian details.

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