How "The Crown" Re-Created Princess Diana's Look

"The Crown" returns to Netflix on 16 Nov. for its sixth and final season, focusing on the entirely new cast first introduced in season five. Moving into the 1990s, Princess Diana, who would be in her late 20s and early 30s at the time, is played by Elizabeth Debicki. Picking up where season five left off, the show depicts some key events in the royal family's history leading up to Princess Diana's death in the summer of 1997.

During a roundtable talk ahead of season five, Cate Hall, the series's hair and makeup department head, shares more details about what it was like to re-create some of the royals' most widely recognised moments — including how much pressure the people behind the scenes feel to get it right.

"It's a bloody long process that goes over months and months where you make these very incremental steps," Hall tells reporters. "You start commissioning things at the beginning and hoping you're making the right choices."

This new season five — just as the others before it — relies heavily on wigs to transform the modern-day actors into the iconic royal family from decades past. Hall explains that the wigs were reworked again and again and went through "awful phases" until they got them just right.

Keep reading to learn more details about Princess Diana's look the "The Crown."

What It's Like Working With a New Round of Actors
Netflix

What It's Like Working With a New Round of Actors

In season four, we were introduced to Princess Diana's character for the first time, played by Emma Corrin. But in season five, the late icon is played by Debicki. Though this may seem like a challenge for continuity, Hall doesn't view it that way. Instead, each season is a chance to start fresh. "It's an opportunity, not a challenge, because you learn so much with every season to do it fresh, but in a new period," Hall says.

The Key to Re-Creating Princess Diana's Iconic Look
Netflix

The Key to Re-Creating Princess Diana's Iconic Look

Whenever real people are portrayed in a film or TV show, hair and makeup teams have the tricky job of replicating enough of the person's look without coming across as costumey. It was the same case for Ana de Armas's Marilyn Monroe in "Blonde," Austin Butler's Elvis in "Elvis," and Lily James and Sebastian Stan's Pamela Anderson and Tommy Lee in "Pam & Tommy." Though the actors are decked out in wigs and bald caps, the viewer isn't supposed to see that.

"What we're trying to do all the time is find this very human realness in the image, and we are trying to include enough of the actor so that what we're not doing is a parody," Hall says. "Elizabeth Debicki is not Princess Diana."

That said, when the hair and makeup team get it right (which they did in "The Crown"), you do occasionally get to escape completely into the picture — even if only momentarily. "In some moments, you do have this kind of heartstopping moment where you see this glimpse where actually I don't think you'd be able to tell the difference between the two."

In addition to the hair, the makeup and even the tan skin that Princess Diana had were key details they included to transform Debicki into the "Diana that we remember," Hall says.

Hair Helps Viewers Identify Each Royal Family Member
Netflix

Hair Helps Viewers Identify Each Royal Family Member

When we think of the royal family — not just Princess Diana but also Queen Elizabeth and Camilla Parker Bowles — most of us can picture their likenesses immediately. A lot of that has to do with their signature looks. "We always start with that very iconic outline, because most of the royal family — and most people of every period — have a kind of shape that's not very conscious," Hall says. "There was a shape to their hair, and there is a tone and a texture to their makeup that roots them in that period and to that person."

In Hall's eyes, as long as the hair and makeup artists were able to re-create each person's silhouette, that was enough. "I think about the shape, and the silhouette, and the outline," she says. "I always think if someone looks like the person from behind, then we're kind of winning." The rest is up to the viewer to fill in. "They don't need someone to have a prosthetic nose in order to inhabit the drama."

The Pressure of Getting Monumental Moments Just Right
Netflix

The Pressure of Getting Monumental Moments Just Right

The royal family are incredibly well documented — possibly better than any other famous people in history. Many of us can probably recall exactly what Princess Diana looked like in the "revenge dress" and her Harvard sweatshirt ensemble, for example, which puts a lot of pressure on the hair and makeup team. "We know when there are those moments that the spotlight's going to fall on," Hall says. "Those visually iconic moments you know you're going to get so much attention for — you just have to get them right."

Standout Looks Worth Noting
Netflix

Standout Looks Worth Noting

Princess Diana is a clear favorite of the new season, but Hall has a few other standout looks that are worth noting. "I had so many favorites that it was like wig heaven," she says of season five's cast. One was Jonny Lee Miller as John Major; he transformed into "this middle-aged, sort of slightly nerdy, '90s guy who kept the same haircut for years, and years."

Camilla Parker Bowles, played by Olivia Williams, is also worthy of a mention. "That was such a satisfying haircut," Hall says. "It's not very glamorous; it's not overly styled, and yet, it captures something that I feel very proud of."

Though you shouldn't be able to recognize it, you've seen the wig Williams is wearing before — in a previous season on the then-Camilla, played by Emerald Fennell. "It's Camilla's old wig sort of transformed and altered," Hall says. She tries to reuse wigs from previous seasons whenever possible. "It's good to recycle."