The True Story Behind Keira Knightley's New Role Is Genuinely Thrilling

Known for her roles in Atonement and Pride and Prejudice, Keira Knightley is no stranger to playing nuanced female characters in period dramas. This time, Knightley portrays the titular character in the biopic Colette. A queer 20th-century French literary icon, Colette (known by just one name, like Cher) penned Gigi, Chéri, and the Claudine book series. Besides her storytelling prowess, people also remembered the prolific writer for her subversive life, which was as rich as any of her female characters. Biographers painted her as "the provocative teenager, the resolute bisexual, the consummate artist and a Colette who was an admirable model for modern middle-aged women."

If there's anyone whose life is worthy of a biopic, it's Colette. Her early literary career was contentious, managed by a husband who took credit — not to mention fame and wealth — for Claudine, a widely popular coming-of-age series about a young schoolgirl. How did Colette go from an unpaid ghostwriter to a French literary legend? Well, it's a complicated story with plenty of twists and turns to keep you on the edge of your seat.

Early Life and Claudine
Getty | DeAgostini

Early Life and Claudine

In 1873, Sidonie-Gabrielle Colette was born in the village of Saint-Sauveur-en-Puisaye in Burgundy. She departed from village life for Paris at age 20, marrying the music critic Henry Gauthier-Villars, who was known in the literary world as Willy. Her husband grew interested in the stories of her school days and asked her to write them down. Following his past pattern of deploying ghostwriters, Willy, after making a few changes, sent the stories into an editor under his own name. The stories, which became the Claudine series, grew immensely popular throughout France, even spawning memorabilia like perfumes and school uniforms. When Colette didn't want to write the stories, her husband locked her inside her room until she would write. From 1900 to 1904, she produced four novels for the Claudine series: Claudine at School, Claudine in Paris, Claudine Married, and Claudine and Annie. The writer's marriage with Willy ended after 13 years.

Life After Claudine
Getty | Hulton-Deutsch Collection / Corbis

Life After Claudine

After her marriage with Willy disintegrated, Colette became a music hall dancer to support herself while continuing her writing career with articles about politics, fashion, cooking, and drama. Before her second marriage, she had relationships with several women, including Mathilde de Morny, or "Missy," a cross-dressing lesbian entertainer. In 1907, their kiss on stage at the Moulin Rouge caused an uproar, but the liaison wouldn't last.

A few years later, Colette married newspaper editor Henri de Jouvenel, with whom she had a daughter. The marriage allowed her to focus on her writing. It ended in 1924, marked by Jouvenel's infidelities as well as Colette's affair with her stepson. But during this time, the author would write one of her most famous works yet — Chéri, a novel about a courtesan and her much younger lover. Years after Jouvenel, she married Maurice Goudeket, a Jewish jewelry salesman whom she would help hide during the Nazi occupation of Paris during World War II.

Her Final Years
Getty | Hulton Archive

Her Final Years

The last three decades of her life were some of Colette's most notable years for her career. At age 72, she published her most critically acclaimed work, Gigi, a story about a young courtesan who falls in love with a worldly man. The book would go beyond the written word, receiving an adaptation on Broadway. The stage production starred Audrey Hepburn (pictured with Colette, above), whom the author personally selected for the lead role.

In 1948, Colette was nominated for a Nobel Prize. She passed away in 1954, receiving the honor of a French state funeral, a highly unusual service for women during this time. At the time of her death, the author left behind a legacy of 80 books, her works celebrated by the intellectual literary community as well as everyday women of all ages.