Taylor Swift Reveals "All Too Well" Easter Eggs at the Tribeca Festival

As the couple are driving down a scenic road, O'Brien's character (presumably Gyllenhaal) looks over at Sink's character as the wind blows through her hair, and then we see Sink in a rearview-mirror shot. It is yet another foreboding indication she'll eventually become a part of this man's past, despite being so in love in the beginning phase of the relationship.

Swift is no stranger to employing the rearview-mirror imagery about a failed relationship, as is demonstrated lyrically or visually in her previous songs, such as "White Horse," "Long Story Short," "Wildest Dreams," and "Style."