Our Editors' Picks From the 2023 Tribeca Film Festival

As a graduate of a Southern private university with a large Greek life presence, I witnessed firsthand just how intense fraternity members can be under the guise of brotherhood. It's startling how much control a group of young adults can exert over their community with the promise of social superiority. And, sadly, it's dangerous. While at my school there were often rumors of fraternities forcing hopeful pledges to swallow goldfish and other upsetting tasks of that ilk, to my knowledge, none of these "required" feats resulted in death. That tragically hasn't been the case at many colleges — which "The Line" subtly points to in its conclusion, showing news coverage of the hazing death of Penn State student Timothy Piazza. In "The Line," members of the fictional frat Kappa Nu Alpha, including Tom (Alex Wolff) and Todd (Lewis Pullman), are in the process of recruiting new brothers from the freshman class (aka pledges). One recruit, Gettys (Austin Abrams), isn't quite buying into the respect his elder brothers feel they deserve as he's put through a series of increasingly dehumanizing tasks. When he runs afoul of one of the other members, the consequences are ultimately tragic. While past Greek life explorations on the big screen have bordered on hokey, "The Line" is a haunting look at the hate and danger some sects of these national fraternities breed. — Lindsay Kimble, entertainment content director

Too young to experience Rock Hudson's career while it was happening, I only knew him as a name, a story. The details of his life were turned into sharp, easy bullet points. Stephen Kijak's documentary paints a portrait of a complicated man who lived during a difficult time where he had to make hard choices basically every day. The documentary's use of footage from his film performances was particularly interesting, as Hudson almost spoke to himself through time. — VE

"Maggie Moore(s)" had me at John Slattery, John Hamm, and Tina Fey, but it's so much more than its star power. A story drawn from reality ("Some of this actually happened" precedes the movie's events), "Maggie Moore(s)" follows Hamm's small-town New Mexico police chief Jordan as he investigates the murders of two women named (you guessed it) Maggie Moore within just 10 days. While Jordan is in the dark to the culprit, that's not so much the case for viewers — the hapless perpetrator at the center of these crimes is revealed in real-time as the deaths occur. Hamm is mostly the straight-man in this comedy-drama, with his sidekick deputy Reddy ("Ted Lasso"'s Nick Mohammed) getting most of the chuckle-inducing lines. It's a satisfying crime tale, bolstered by Hamm's chemistry with frequent costar Fey (who plays Rita, one of the Maggie's neighbors). A good tune-in for true crime fans and "Fargo" acolytes. — LK

I've been a fan of Aubrey Gordon — this documentary's main subject — since she started writing anonymously under the name Your Fat Friend. I didn't know that this movie's director, British documentarian Jeanie Finlay, was also following her from around the same time. She captures Gordon's struggles as she opens up to the world about her experiences as a fat person, first anonymously and then, finally, as herself. The most interesting part is the way Gordon's parents react to her journey and how they make sense of the role they played in all of it — good and bad — as her parents. — Victoria Edel

The upcoming Paramount + documentary "Milli Vanilli" finally provides a redemption story for the disgraced duo Milli Vanilli, which went up in flames as the biggest lip-syncing scandal in pop music. Group members Fabrice Morvan and Robert Pilatus took the brunt of the shame, even having to give back their Grammy best new artist award in 1990. In "Milli Vanilli," we go behind the curtain, which reveals an opportunistic producer tugging at the strings that exploded into controversy and an unfortunate commodification of Black artists. As a '90s kid, this was a Tribeca must-watch for me. — Jada Gomez, executive editor

Disney-Pixar's "Elemental" sees animated versions of the Earth's elements tell a beautiful story about immigration and interracial (interelemental?) romance. In the film, a fire girl named Ember is determined to succeed at running her first-generation father's store after he gave up everything to move to Element City to start his family. But when she crosses paths with a water person named Wade, their unexpected connection forces her to reevaluate everything she knows about love, family, and what she wants for her future. While the plot, at times, feels undercooked compared to Disney's other releases that touch on similar topics (no governmental conspiracies here like in "Zootopia"), it's emotional through line about following your heart packs a punch both children and adults will get choked up over. You might want to bring a few tissues along with you to this movie. — Noelle Devoe, senior editor, TV and movies