"For hanbok, we had to triple-check to make sure everything was correct by referencing YouTube clips, books, and more. However, for men's suits, there were more pictures and references to go off of. I wanted to make Hansu feel like plastic, kind of artificial, amongst that natural landscape of Yeongdo."
On the other hand, she continues: "If you look at Isak's clothes, his shirt's collar is more of a round shape, which was popular and in fashion in the 1920s. His clothes are a little bit more outdated, and there was no shine at all. Whereas for Hansu's clothes, we would use a lot of silk and make sure they were very shiny. Hansu was emanating more of a rigid, artificial vibe, and Isak gave off a soft, organic, natural vibe that would blend in more naturally with the hanbok that the people of Yeongdo were wearing."
