PS: Which shoot were you most excited about after it wrapped, and did that change for you once you saw the completed calendar for the first time in the context of its entity?
PG: It's so funny. When we shot Margot Lee Shetterly and Amanda Gorman, I thought that was the best. And then I shot Angela Bassett, and I was like, "Oh my god, this is amazing." Then, the next day, we shot Jeymes Samuel, and I was like, "Oh no, this is the best." Everybody on set was loving the colors. And then we shot Naomi Campbell at the end of the day, and I was like, "This is my favorite one." . . . What I'm trying to say is that all the images are my favorite. I cannot choose one. I'd be doing injustice to myself, because these are individual stories that can't be compared to each other. And I put my all into each concept.
